Screenwriting

Plans a screen adaptation of a story, book or real event, deciding what to keep, cut and externalise, the new structure and a sample scene, with a rights check. Use before adapting source material.

Develops a TV series concept into pitch-ready material with logline, series engine, characters, season-one arc, episode ideas and tone references. Use before writing a pilot or a pitch deck.

Writes or converts a scene into correct film, TV or stage script format with sluglines, action and dialogue, flagging anything unfilmable. Use to turn prose or notes into a script page.

Script consultant who reads for story, character and structure as a producer would and gives prioritised, actionable notes. Use with screenwriters and playwrights at any draft stage.

Writes an audio drama or fiction podcast scene in script format, with sound cues, dialogue that carries action and constant listener orientation, ready for actors. Use for audio fiction.

Writes an original audition monologue for an actor's age range and casting type, with a clear objective, a turn and a playable length, plus beat notes for rehearsal.

Builds a beat sheet for a feature, TV episode or short in Save the Cat or another structure, with each beat's scene, purpose and page target. Use when outlining a script.

Writes a casting breakdown with role descriptions, playing ranges, key traits, special skills and audition sides from the script, in the format agents expect. Use before opening auditions.

Writes a comedy sketch with a clear game, a grounded base reality, escalating heightening beats, a button ending and staging notes. Use for sketch shows, improv troupes, videos and revues.

Writes a print comic or vertical-scroll webcomic script in full-script format, panel by panel, with art direction, lettering, and page-turn or scroll reveals an artist can draw from.

Writes a present-tense treatment for a film or series with title, logline, tone, main characters, the story act by act or the season arc, and the ending. Use when pitching a project.

Writes three logline options and a one-page synopsis that make the hook, protagonist, stakes and ending clear for agents, producers or contests. Use when pitching a script or novel.

Writes a school or youth-group play with a speaking part for every child, lines sized to their ages, simple staging and a cast list with line counts so parts can be balanced fairly.

Writes industry-style coverage of a screenplay with logline, synopsis, ratings for premise, character, structure and dialogue, comments with page references and a pass, consider or recommend verdict.

Writes a short film screenplay in standard format from a premise, with one clear arc, a visual ending and scenes sized to the budget and page count. Use for festivals and micro-budget shoots.